CREATIVE PRODUCER

MOTION DESIGNER

ABOUT

Perfectly Synced Domino-ception

In May 2018, Anomaly launched their creative platform for T-Mobile called “A World of Screens”. From that moment on, all T-Mobile advertising, from TVCs to OOH, from social media to banners, had to feature lots and lots of screens. For the end of the year, Anomaly was tasked to develop a special sales campaign, that deserved it’s own distinguishable style. Anomaly wanted to put the emphasis on the emergency of subscribing to Unlimited by showing the hero, rushing throughout thousands of phones, falling like dominoes, to get to the final destination: a T-Mobile store, set in a hyper-realistic environment. The campaign would be the perfect occasion to extend the World of Screens into a hyper-realistic “sales campaign” environment.

CLIENT

CGI / VFX / ANIMATION

The Job

TV-spot for a T-Mobile campaign, featuring complex combination of simulated (like dominoes) smartphones combined with live-action on the displays, all in perfect sync.

We designed an elaborate setup of rows upon rows of CG smartphones, all falling and connecting like dominos. On the screens the hero would preform a sequence of actions shots, all perfectly in sync with the falling domino rows. The smartphone domino setup would be CG, and the action on the screens needed to be Live-Action. We wanted to make it so that all the action would seem as if it was set-up by hand by actual people, and the end result shot in camera for real.

My Role

Only Design/CG/VFX side of production. All live-action production was taken care of by Bastiaan Mast.

— Managing ballpark, treatment and the pitch (which we won)
— Client point of contact for all production and financial needs
— Scoping, budgeting, planning, and scheduling all milestones/reviews with client
— Clear communication between all stakeholders and personnel
— Managing team from pitch till final delivery
— Managing client reviews, approvals, and deliveries
— Invoicing, collecting final assets, approved credit lists and portfolio live dates


The Job

TV-spot for a T-Mobile campaign, featuring complex combination of simulated (like dominoes) smartphones combined with live-action on the displays, all in perfect sync.

We designed an elaborate setup of rows upon rows of CG smartphones, all falling and connecting like dominos. On the screens the hero would preform a sequence of actions shots, all perfectly in sync with the falling domino rows. The smartphone domino setup would be CG, and the action on the screens needed to be Live-Action. We wanted to make it so that all the action would seem as if it was set-up by hand by actual people, and the end result shot in camera for real.

My Role

Only Design/CG/VFX side of production. All live-action production was taken care of by Bastiaan Mast.

— Managing ballpark, treatment and the pitch (which we won)
— Client point of contact for all production and financial needs
— Scoping, budgeting, planning, and scheduling all milestones/reviews with client
— Clear communication between all stakeholders and personnel
— Managing team from pitch till final delivery
— Managing client reviews, approvals, and deliveries
— Invoicing, collecting final assets, approved credit lists and portfolio live dates


The Job

TV-spot for a T-Mobile campaign, featuring complex combination of simulated (like dominoes) smartphones combined with live-action on the displays, all in perfect sync.

We designed an elaborate setup of rows upon rows of CG smartphones, all falling and connecting like dominos. On the screens the hero would preform a sequence of actions shots, all perfectly in sync with the falling domino rows. The smartphone domino setup would be CG, and the action on the screens needed to be Live-Action. We wanted to make it so that all the action would seem as if it was set-up by hand by actual people, and the end result shot in camera for real.

My Role

Only Design/CG/VFX side of production. All live-action production was taken care of by Bastiaan Mast.

— Managing ballpark, treatment and the pitch (which we won)
— Client point of contact for all production and financial needs
— Scoping, budgeting, planning, and scheduling all milestones/reviews with client
— Clear communication between all stakeholders and personnel
— Managing team from pitch till final delivery
— Managing client reviews, approvals, and deliveries
— Invoicing, collecting final assets, approved credit lists and portfolio live dates


Client side VIPs
EXECUTIVE PRODUCER

Suzanne van den Bouwhuijsen


CREATIVE DIRECTORS

Blaz Verhnjak
Gilles Suprin

Project details
SCOPE

Phase 1
— 1x TVC 20" 3x propositions
— 1x Key-visual 6x phones
— Asset package for online adaptations
— 1x Merger deal DOOH video 10"

Phase 2
— 1x Adjusted version TVC 20" 3x new propositions
— 1x Custom tagon 10" promotion (cancelled)


TIMINGS

Phase 1
— October-December 2018
— production lead time 8 weeks

Phase 2
— April-May 2019
— production lead time 5 weeks

Phase 2 other deliverables
— May-June 2019
— production lead time 3 weeks


TEAM

— Core (design/vfx) team: 7
— Live-action: not sure

T-Mobile & Tele-2 Merger DOOH - in subway hall

Breakdowns / Making of

Previz

The Shoot

Everything Coming Together

Team Credits

PRODUCER

★ Hert Zollner

DIRECTORS

★ Roy Nieterau
★ Tom Hankins

ART DIRECTOR

★ Tom Hankins

TECHNICAL DIRECTOR

★ Roy Nieterau

PREVIZ / 3D ANIMATION

★ Danny Vos
★ Roy Nieterau
★ Tom Hankins


TECHN ANIM & SIM

★ Sander Bultman


MODELING / LOOKDEV

★ Patrick Blankenzee
★ Alex van der Aa
★ Tom Hankins

LIGHT / RENDER / COMP

★ Patrick Blankenzee
★ Alex van der Aa
★ Tom Hankins


EDITING

★ Tom Hankins
★ Roy Nieterau
★ Hert Zollner


GRADING

★ Patrick Blankenzee
★ Tom Hankins

LIVE-ACTION DIRECTOR / DOP

★ Erwin Steen


LIVE-ACTION 1ST AD
★ Marcel van der Velden


LIVE-ACTION PRODUCER

★ Bastiaan Mast


ACTOR

★ Rogier Komproe


BACKSTAGE FOOTAGE

★ Mees Groenendijk